Witulant

Entries from January 2010

New Music Tuesday 1/26: Beach House, Magnetic Fields, Citay

January 26, 2010 · Leave a Comment

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Beach House – Teen Dream

Admittedly, I was a bit late to the Beach House bandwagon-jumping party.  While critics all but universally praised their ‘08 release Devotion, I was underwhelmed by its casio-toned, minimal arrangements and slow-moving dream pop.  Ironically enough, the exact reasons why I love Teen Dream.  The album starts with a hushed guitar and vocals and rarely climbs above this audible peak with anything more than percussion or synths.  The Baltimore duo doesn’t even attempt sounding any bigger than its modest size, and doesn’t need to due to the strength of each cut, as each song slowly unfolds like an atlas until the melody runs its course.  This is a record that attracts, and demands, several sittings, and another strong album for so early in the 2010 year.

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The Magnetic Fields – Realism

The most challenging tasks involved in digesting each Magnetic Fields album are also its greatest strengths: the fractured rhythms, heady lyrics, classical arrangements and accompaniments.  No doubt about it, Stephen Merritt is a fantastic songwriter.  But it can also be off-putting, if not a little grating, trying to work the group into a normal music rotation.  You really have to be in the right mood.

Good news is Realism is a lot less demanding than their previous, aptly-named Distortion.  There’s the familiar eccentricities of i and the stand-alone ballads of 69 Love Songs.  Where it lands in the canon of work is yet to be seen, but from what I’ve heard, it’ll be somewhere near the top.

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Citay – Dream Get Together

This is one of my first run-ins with Citay, but so far they’ve been an awfully enjoyable group.  Their new album mixes psychedelic with classic rock while somehow never leaving the confines of the breezy pop song.  I’ve been through the album once, and will certainly listen again, and so far have nothing but praise for the San Francisco mini-jam band.

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other 1/26 releases: Los Campesinos!, Corinne Bailey Rae, Patty Griffin, David Bowie (live), Four Tet, Tindersticks, Animal Collective (reissue), Basia Bulat, Mr. Gnome

Categories: Music · New Music Tuesday
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How I Learned To Stop Worrying About The Vikings And Love The Losing

January 25, 2010 · 29 Comments

So there I was again, screaming at the television in what would usually be considered an inappropriate volume. Room-temperature, half-eaten appetizers strewn about the living room coffee table doomed to never be consumed. My roommate occasionally emerging from his room with slightly sardonic comments like, “this is why I don’t follow football,” and “you’re going to have a stroke.” Me, a mere two hours ago filled with the hope and foolish dreams of my boys in purple trotting out onto the Miami sod, now fraught with that familiar feeling of disappointment, anger and futility. I pressed the power button on the cable box only seconds before that damning, game-ending field goal soared through the yellow uprights. I already knew what was going to happen.

For the next hour or so, I did what most Minnesota sports fans do after a big loss: I looked for someone to blame. In my head, it sounded like a middle-aged woman from Brooklyn. Stupid refs, buncha Saints-lovin’ cheaters. Stupid offense, couldn’t stop turnin’ over the ball to save their life. Stupid Childress, what a gutless schlamiel! But this never lasts long, and soon I was back to the self-loathing that comes from questioning my own loyalty and whether or not it’s time to jump off the bandwagon, followed by rampant, philosophical self-analyzation (which sounded like Will Ferrell’s James Lipton). Do I really hate losing, or do I just hate the uncertainty of it all? Am I a strong enough person to accept rooting for mediocre sports franchises, or do I need success to justify it? Does it hurt because I love the team or because it’s a perverse version of how I see myself and my own seemingly-hopeless endeavors? Yikes.

In the end, out of the whole psychological mess, I draw these conclusions:

  1. Sports mean absolutely nothing in real life. Nothing. Hey, you hear about that record Peyton Manning broke? Who cares. How about that great play on Sports Center? Pssch. The Steelers won the Super Bowl! Yawn. Really, think about it. We make such a big deal about who did this and what team won that, when really, why do we care? Sports are, ultimately, entertainment. They’re something to talk about, something to occupy our time. In the long run, the number of touchdowns Chris Johnson ran for doesn’t mean a thing to Haiti earthquake survivors or to starving kids in Africa. Not to get all bleeding heart-y all of a sudden, but a lot of the things we hold to be so important will mean nothing in the light of eternity. Sports can teach valuable lessons to us, but they’re just another job to the athletes who play them, and the stats compiled mean nothing in real world measurements. Speaking of valuable lessons…
  2. If sports in general teach us anything, it’s that losing is a part of life. Get used to it. Yeah, I know, a million minivan-driving soccer moms might think it’s best to let everyone win and not hurt anyone’s feelings, but that’s a horribly-unrealistic message. Get out there, put yourself on the line, work hard and give it your best shot, and guess what? You could be a miserable failure your whole life. It’s cruel and heartbreaking and even a little unfair, but fairness is for cowards. Put that crap on a t-shirt.
  3. Living vicariously through anything, especially sports teams, is unhealthy. Like the guy with the season tickets, jerseys, memorabilia and satellite TV package with all the special sports channels who trolls message boards waiting to rip on anyone who thinks his team sucks. That guy probably lives and dies with his team. He probably talks trash at his job and carries on heated debates with rival fans. He also probably doesn’t like himself very much. It’s a little cliched, and a bit of a stereotype, but all stereotypes carry some kernel of truth to them, otherwise where would they have come from? Total misconceptions? Doubtful.

Yeah. So with that, the loss doesn’t seem so bad anymore. The Saints won, good for them. I’ll wake up Monday morning, just like every other day. Go to work, just like every other day. Hate my unfulfilling job, just like every other day. A Vikings win wouldn’t have changed any of that. Their success doesn’t equate my success. Life goes on. And now I have time to focus on more important things. Like hockey season! *canned laughter*

Categories: Blogging · Creative Non-fiction · Sports
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New Music Tuesday 1/19: Spoon, Eels, Charlotte Gainsbourg

January 19, 2010 · 1 Comment

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Spoon – Transference

Spoon is still in a sort of musical purgatory as a band, not obscure enough to fly under the radar but also without a breakthrough mainstream moment ala Death Cab or The Shins. (Even though Stranger Than Fiction came pretty close to exposing their awesomeness to the masses)  In some ways, this is almost reassuring.  It’s nice to see them assembling a healthy fan base while still being able to fully choose the sort of music that goes on each LP as opposed to some stereotypical, wealthy fat-cat record tycoon: I imagine Texas guy from the Simpsons, big cowboy hat and two six-shooters blasting whimsical bullets in the air while shouting, “I hate the noise on track six, and why not add some hand claps to the opener??  Yeeeeeeeeehawwwww!”

Not the case on Transference, in fact, this is a record that sports the double threat of being both entirely satisfying for long-time fans while being something a noob could totally sink his fledgling teeth into and appreciate.  It won’t be their ticket to a ten-album multi-million dollar deal from Warner Bros., but it’s exactly what you want to hear from a Spoon album.  And that’s just fine, as I imagine an underwhelmed Britt Daniel and co. ascending the stage on Grammy night, just after Taylor Swift and Black Eyed Peas, speaking a sardonically-charged acceptance speech, “Wow, uh, thanks.  This is…this is really cool,” wouldn’t be all that fulfilling.  Imma let you finish, but nah.

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Eels – End Times

No real surprise here.  An album from Eels about heartbreak and divorce.  An ominous, old-man E on the cover.  The end of his life and the end of his relationships.  At some point, we’re supposed to care about this right?

To be fair, the album does its job.  It’s thought-provoking and, conclusively, a bit of a downer.  But I’ve become bored with E’s music.  His heart is in the right place, but I couldn’t find a huge difference between his conceptual album about desire and (a mere six months later) an album essentially about the results and downfall from it.  It’s all sad, all downtrodden, and a bit repetitious.  There’s a lot to take in here, it just might feel like the same stuff you’ve been taking in for a while.

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Irm – Charlotte Gainsbourg

Honestly, I wouldn’t have taken the same notice of this album had it not been produced, co-written by and featuring Beck.  I’m a Beck Hansen whore, I’ll admit it.  It’s a page right out of Modern Guilt, with a more melancholy, ethereal-bent.  But this isn’t a case of all-star writer/producer imposing his will upon and shifting another artist’s sound.  On the contrary, Gainsbourg’s last album had already traveled down this gossamer path, and Beck simply further fleshes it out, their styles fitting together like Lego bricks.  It’s a super album.

Oh, and it also helps having a dandy, ear worm of a first single + entrancingly-gorgeous companion video for all the music blogs to talk about.  Check.

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other 1/19 releases: Cold War Kids (EP), Lindstrom & Christabelle, RJD2, Dawn Landes (US), Danny Barnes, Shapes Stars Make, Aziz Ansari

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Song of the Day: Hot Chip – Hand Me Down Your Love

January 14, 2010 · Leave a Comment

I think of one word when I think of Hot Chip: joyful. Not that their songs are always joyful, but their music brings me joy. It’s upbeat and packed with sound, you can dance to it or just sit and listen, but it doesn’t demand one reaction. Tenebrous Thursdays are better with Hot Chip.

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Song of the Day: Townes Van Zandt – Dead Flowers

January 12, 2010 · Leave a Comment

The great irony about this song is that it’s Van Zandt covering another person’s song instead of the usual vice versa. But it actually worked better when he played it, rather than Mick and the Stones, probably because it was so country-tinged from the beginning that it seemed out of place on a Stones record that just a few minutes earlier sported “Brown Sugar” or “Can’t You Hear Me Knockin’”. This is the version that played at the end of The Big Lebowski and my personal favorite.

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